In the Netherlands, most museums are almost entirely financed by government subsidies. Nonetheless, the influence of private individuals on the policies of these public institutes is gradually increasing. It is a trial-and-error effort, as the recent history of the Amsterdam Stedelijk Museum demonstrates.

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The concept of the creative city, which has become something of a directive for ambitious city councils throughout the Netherlands, does not necessarily lead to a prosperous future for art and culture. The writers’ team, BAVO, describes the city politics of Rotterdam as a form of self-colonization being forced on all its inhabitants. They sketch an image of a city whose unstoppable creative appetite is alienating it from itself.

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A museum potentially has the possibility and the means to be a place of critical comparison and discourse, but apparently not in the Netherlands, where museums are in the thrall of an all-consuming market mentality. Take the recent policy statement of the Amsterdam Stedelijk Museum. Instead of stepping back from gratuitous conformity to market forces, the museum is following with narry a whisper, with the top of the international museum hierarchy as their ultimate objective. Fundamental changes in society are meanwhile ignored.

 

art policy

art policy

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