Will art made of outdated tech continue to bear intrigue for modern audiences? Matthew Sturt-Scobie visits the ambitious exhibition REBOOT at Nieuwe Instituut, made in collaboration with media art platform Li-Ma. It presents key technology-driven artworks from 1960 to 2000 alongside contemporary digital art.
Standing up for our digital rights is long-overdue. That’s why IMPAKT organized Our Terms, Our Conditions: a five-day festival that challenges the big-tech corporations that have too long defined our terms of engagement with them. Matthew Sturt-Scobie visits the festival to see how IMPAKT decodes this (to many) inaccessible area of debate. Will people leave the festival energised and informed on how to respond to the issues brought to the fore?
At Centraal Museum, Pauline Curnier Jardin lets women assert their ‘superpowers’, shows men silently suffering from patriarchy and subverts the stereotypes surrounding menopause. ‘Maybe menopause is the last niche where capitalism cannot go. Maybe it’s some kind of haven from it.’
The performance Rebel Dances: Borders in Tranc-it by Papaya Kuir, an Amsterdam-based lesbotransfeminist collective of Latin American migrants and refugees, at Framer Framed, is described as ‘an immersive theatrical experience that delves into states of in-betweenness and travelling worlds’.
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