Is religion really in the midst of a revival? In The Return of Religion and Other Myths, art historian Sven Lütticken investigates the supposed rise of religion in society through the work of contemporary artists.

The Happy Hypocrite is a curious biannual journal edited by Maria Fusco, a London based Belfast born writer and lecturer. One could have said a curious little journal but that might unnecessarily demean its calm yet resounding potency. Slightly larger than an A5, smaller than the magazine you now hold in your hands, The Happy Hypocrite radiates an assured tone not of conceit nor of pride but of tranquil promise. With such underground publications such as Documents, The Fox, Merlin and Bananas as its inspiration, The Happy Hypocrite (a journal not a magazine) promises, indeed guarantees, the urgency for a different kind of (art) writing.

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reviews  10.12.08  Clare Butcher

Düsseldorf
K21 Kunstsammlung Nordrhein-Westfalen
27/09/08 - 11/01/10

With As Far As The Eye Can See Düsseldorfs K21 Kunstsammlung Nordrhein-Westfalen presents retrospective journey of the oeuvre of Conceptual Art giant Lawrence Weiner. But does reading his work come as easily to contemporary audiences as it did in the seventies?

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Fulya Erdemci new director of SKOR 'The raison d’être of any art project in public space is to create a contrast'

Fulya Erdemci new director of SKOR 'The raison d’être of any art project in public space is to create a contrast'

features  08.12.08  Ingrid Commandeur

In July this year Fulya Erdemci was appointed as the new director of SKOR, Foundation for Art and Public Space. Erdemci was the director of the Istanbul Biennial (1994 to 2000) and of Proje4L- Museum of Contemporary Art, Istanbul (2003-2004). She was part of the curatorial team for the 2nd Moscow Biennale of Contemporary Art in 2007 and most recently co-curator of the 5th SCAPE Christchurch Biennial of Art in Public Space in New Zealand. What are her plans for the future of SKOR?

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Iris Kensmil The History of the Universal Negro

Iris Kensmil The History of the Universal Negro

reviews  29.11.08  Hendrik Folkerts

Amsterdam
Galerie Ferdinand van Dieten - D'Eendt
22/11/08 - 22/12/08

'Yes, we can. Yes, we did.' The famous slogan, issued from the presidential campaign of Barack Obama, marks the outset of the solo exhibition Get Up, Stand Up by Iris Kensmil in gallery Ferdinand van Dieten - d'Eendt in Amsterdam.

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Call for Submissions: WORKSPACE 09 PROJECT COMPETITION
WORKSPACE 09 is the annual contest organized by Filmhuis Den Haag/ZAAL5 for artists whose work explores the convergence of moving images and fine arts.
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Artists living outside of the UK, five years from graduating from an undergraduate or postgraduate degree, or under thirty years of age can apply for The Cartier Award 2009 organized by Frieze Projects.
For more information: www.friezefoundation.org/cartier (IC)

New York Times on Marlene Dumas. (ed)

Marlene Dumas opens in MOMA. Special report from a Dumas hater. (ed)

Art Basel Miami Beach: the Art Fair as Outlet Mall. (ed)

Carolyn Christov-Bakargiev Artistic Director of the documenta 13
Carolyn Christov-Bakargiev has been elected the Artistic Director of the documenta 13, which is scheduled to take place from June 9th, 2012 to September 16th, 2012 in Kassel.
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The Island of Rhodes (Greece) once again plans to resurrect the ancient Colossus. East German artist Gert Hof has been charged with creating a €200 mln. light sculpture, which will be substantially bigger than its predessesor (EvT)

Abu Dhabi to Venice Biennale
Catherine David will be the curator of Abu Dhabi's first pavilion at Venice Biennale
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Project in progress: photographer Robbie Cooper, interested in 'unreality' for some time now, is collecting material for 'Immersion': which shows how children act while playing videogames. The Daily Telegraph previews some of the results. (EvT)

Even Damien Hirst may not be immune to the economic climate - many of the workers who produce his works found themselves out of a job this week. (ed)

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