N° 5 2008 Oktober/November
Monument
A large number of artists in the Netherlands and elsewhere are intensely occupied with the history of the monument. The question is, what exactly is going on? Where does this investigation of a genre of art that has been under fire for decades, with its historic undertones, come from? Why this embrace of a form of art, that as Robert Musil once poignantly wrote, offered the best possible guarantee of invisibility? Is it an attempt to reconfirm a people’s own national identity, now under pressure in a globalized economy? Do people want to counter the all-pervasive negativity by using art to boost morality with tokens of grandeur, as Anna Tilroe suggested during her visit to Sonsbeek last summer? Or is the monument suddenly again being seen as an important social factor, now that relational aesthetics have proved to reach no further than the inner circle of the art circuit?
06/10/08 Laurence Lowe
Haarlem
De Hallen
14/03/09 - 01/06/09
No other Dutch artist has caused an international sensation as quickly as Guido van der Werve. The maker of elegant rhythmical videos with a clear relation to music succeeds in sustaining the beauty of an idea throughout narratives that are as romantic as they are mad. In anticipation of a large exhibition in Basel (this fall) and Haarlem (spring), an interview with the artist in his New York studio. This weekend his latest show opened at De Hallen in Haarlem
Pinhole
30/10/08 Sung Hwan Kim
In the series 1:1 Sung Hwan Kim asks himself what it means to be inspired.
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John Baldessari is the winner of the B.A.C.A. International 2008. The Bonnefantenmuseum in Maastricht is currently showing a large exhibition of his work, for which it collaborated with students from the Jan van Eyck Institute. It is an indication of the extent to which Baldessari is not only a respected artist but also a beloved teacher. Catherine Taft looked him up in his studio in Los Angeles and spoke with him about his life as an artist and teacher of art.
Read more..Sculpture Park Rules
04/10/08 Domeniek Ruyters
A large number of artists in the Netherlands and elsewhere are intensely occupied with the history of the monument. From whence comes this interest in what had until recently seemed a genre relegated to the inactive list?
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At the last Biennale in Venice the Romanian curator Mihnea Mircan collaborated with Metahaven to present a subtle meditation on monumental art in the Romanian pavilion. Now Mircan has made a follow-up to that project for Stroom Den Haag: the exhibition Since we last spoke about monuments.
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Platform
