Acknowledgement by Witte de With: Witte Corneliszoon de With

Issue no6
2017
Doorbraak + Aanwinsten 21 musea

Acknowledgement: Witte Corneliszoon de With

Prompted by the programmers and participants of the Cinema Olanda: Platform project, Witte de With Center for Contemporary Art has come to examine the circumstance of its name, drawn in 1990 from the street on which it is situated, and Admiral Witte Corneliszoon de With (1599 – 1658), a Dutch naval officer engaged in colonial exploits. Attention has been drawn to our operating under such a name in a field of contemporary art practice that claims criticality, and the fact of this blind spot in our institutional history and self-awareness. The process of considering the implications of this has been challenging, replete with open-ended questions, ongoing self-reflection and critical re-evaluation; processes that we have come to recognize as core to our hosting of the Cinema Olanda: Platform project, by artist Wendelien van Oldenborgh and curator Lucy Cotter as an extension of the Dutch Pavillion in 57th Venice Biennale, and of great value in provoking evolution within the institution.

Part of our current efforts coalesce around laying bare a history of the Dutch Admiral Witte Corneliszoon de With. We contribute the following text as a permanent part of our website, and a display (September - December 2017) addressing; Witte de With as a figure, the naming of our street, and consequent naming of the institution – which itself will become part of the institutional archive. These are first steps in an ongoing process, part of making visible colonial legacies, and which have, through their embeddedness, become hidden from view or neglected; a symptom of a wider issue in Dutch society.

The process of examining this history has raised issues of re-naming. At this point we believe that re-naming would extinguish a link to a history that needs visibility, but remain open to discussing this further. We would like to proceed in a spirit of open consultation, recognizing calls for transparency and openness, in order to approach the responsibility of arts institutions as a part of post-colonial power structures within Dutch society, and to re-think structural imbalances that current institutional practices reinforce. Formats for these efforts will be made public shortly.

From the age of 16, Witte Corneliszoon de With moved his way up through the ranks of the Dutch East India Company (VOC), serving on various trade voyages to territories such as India and Indonesia. Later, as a corporal in the Admiralty of Rotterdam, he was involved in the siege of Jakarta (1618) establishing the city as a VOC trading post for the next 300 years. In 1622 he became flag captain of the Delft, raiding Spanish held territories in South America. In 1625, now a captain, he spearheaded actions in the Malaku Islands off the coast of Indonesia, burning 90,000 clove trees belonging to inhabitants to increase the cost of the commodity. After leaving the navy for some time, Witte rejoined to fight the Spanish, and later, after being court martialled for various infractions, sailed a mission to the Dutch colony of Brazil (1648) to defend Dutch West India Company (WIC) interests from the Portuguese; a disastrous campaign that lead to the Dutch handing over the colony in 1654. He died in 1658 during a campaign to support the Danish against the Swedish, and was eventually buried in St Lawrence Church, Rotterdam.

We are grateful to the Cinema Olanda: Platform participants, and other commentators, who have raised these issues with us and set us on a path to unearthing neglected and sanitized histories that continue to support a colonialized past and present, and toward recognizing our institutional responsibility to address these issues now and for the future.

Source: 12 June 2017 website Witte de With

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Metropolis M Tijdschrift over hedendaagse kunst Nr 6 — 2017