Confronted with the mechanics of control and censorship in their home country of Iran, Chupan Mehraneh Atashi started searching for other ways of portraying themselves. Captivated by their self-portraits and pictures of flowers, Katayoon Barzegar follows the artist as they install their exhibition at EKKM in Estonia, and traces the fruitful symbols of seeds and flowers in their work.

Will art made of outdated tech continue to bear intrigue for modern audiences? Matthew Sturt-Scobie visits the ambitious exhibition REBOOT at Nieuwe Instituut, made in collaboration with media art platform Li-Ma. It presents key technology-driven artworks from 1960 to 2000 alongside contemporary digital art. 

Standing up for our digital rights is long-overdue. That’s why IMPAKT organized Our Terms, Our Conditions: a five-day festival that challenges the big-tech corporations that have too long defined our terms of engagement with them. Matthew Sturt-Scobie visits the festival to see how IMPAKT decodes this (to many) inaccessible area of debate. Will people leave the festival energised and informed on how to respond to the issues brought to the fore?

The Black Archives’ Geen Punt is a campaign calling for the public’s opinion on how the Netherlands can offer more than just spoken apologies for the Dutch state’s role in slavery. What restorative actions could follow the comma? To find out, Evie Evans visits the exhibition 'No Healing Without Repair' at The Black Archives, which since a week has been expanded with the show CAPE X UTRECHT (co-curator Nancy Jouwe) at AG, Ruimte voor nieuwe kunst en media in Utrecht.