Jeff Preiss’ show at Stedelijk Museum Amsterdam showcases his intuitive, diaristic style of filmmaking. Weronika Trojanska interviews him about his working methods.

This year's Contour Biennale is synced with the moon's movements around three weekends rather than a conventional biennale format. Throughout the yearly moon cycle of the experiment that was Coltan as Cotton, one couldn’t tell if things had come to an end. Does it matter that there was no conclusion or finalised outcome?

Jonas Staal and Florian Malzacher organised a camp during the Ruhr Trienniale. The camp trains the participants for the future to come. Viviana Checchia reports on the different types of trainings on offer.