How can art criticism keep up with the media developments of the times? In this second contribution of a series on new forms of art criticism, Emily Palmer and Hannah Vollam engage with Zarina Muhammad of critical platform The White Pube, which reviews video games, TV series and meals alongside museums, exhibitions and artworks. Will this 'embodied criticism' foster a new understanding of culture?

​As someone who exists within a state of intergenerational displacement, filmmaker Etienne Kallos delves into the cinematic forms of ‘unbelonging’. 'I’m queer, ethnically Greek, a South African from America and now in Europe. It’s not clear how it all adds up. I try to work through these fractures in my work.'

Grind culture, Black joy, and transparent museums: Marian Duff, founding director and head curator of the Open Space Contemporary Art Museum, tells Olivia Brown about OSCAM’s drive, ambitions and plans for the future. ‘We’ve shown ourselves enough. So now we’re going back to our core business. And what is important for us is calm.’

A vast expanse sprays the screen like a helicopter fighting a wildfire. The frame becomes a stream of water, our vision following as it dissipates across the city. Steve McQueen opens his new film Grenfell with his signature singular shot: panning the capital, giving us an Icarian view of London.